A compelling cinematic experience, with stellar performances, “Mon Potongo” (Mindflies) incorporates unconventional narrative structures, blending multiple genres seamlessly writes RAO NARENDER YADAV
Desires, often untamed and unbridled, can lead to unknown destinations. The meandering lanes of thoughts and feelings, sometimes, create a maze of emotions, which is difficult to express and share. ‘Mon Potongo’ is one such story, of unrestrained love, which ignites a fervent passion, leading to exhilarating highs and devastating lows.
Rajdeep Paul and Sarmistha Maiti‘s collaborative effort shines through in “Mon Potongo,” as they deftly balance moments of drama, romance, and introspection. Their keen eye for detail and nuanced storytelling weaves together the threads of social realism and chimerical romance into a tapestry of unyielding passion and enduring hope.
In the convoluted alleys of Kolkata, amidst the strides of its bustling streets, unfolds a tale of passionate lovers – a Hindu girl (Baisakhi Roy) and a Muslim boy (Subhankar Mohanta). Escaping the specter of persecution that looms over their village, they find refuge in the city’s cold pavements that have become a sanctuary for many migrants.
However modest their circumstances may be, their hearts are captivated by a dream of luxury—a throne-like armchair, radiant in a lavish showroom, looming beside their makeshift dwelling. In this shared aspiration of reigning side by side as sovereigns, their affection discovers sanctuary, a pledge sealed with murmurs amid the harshness of their daily grind.
Yet, amidst their humble existence, their hearts are captivated by a dream of opulence – a throne-like armchair, resplendent in an exquisite showroom, next to their makeshift home. It is here, in the shared aspiration of reigning side by side as sovereigns, that their love finds refuge, a promise sealed with whispers amidst the harsh reality of their daily toil. Enticed by the allure of wealth, intellect, and power, they navigate the stark disparities of society, journeying from the shadowy depths of its criminal underbelly to the gleaming pinnacles of its upper crust.
The multi-layered story that unfolds in this 147 min long film, set in the tumultuous backdrop of socio-political unrest, religious discord, and the ever-present spectre of displacement, shows how their spirits soar on wings of desire, drawn inexorably towards the flame of their shared ambition. Fervently they chase their aspirations, yet they find themselves teetering on the edge of a dangerous abyss, where the flames of longing loom perilously close, ready to engulf everything in their wake.
One of the film’s greatest strengths lies in its performances. The cast delivers stellar portrayals, breathing life into their roles with authenticity and depth. From the lead actors, Subhankar Mohanta and Baishakhi Roy to the supporting cast – Seema Biswas, Joy Sengupta, Amit Saha, Anindita Ghosh, Tribikram Ghosh, Tannistha Biswas, and Janardan Ghosh each individual shines in their own right, contributing to the overall richness of the storytelling. The characters are expertly crafted, each with their own struggles, dreams, and desires. As the narrative unfolds, we witness their joys and sorrows, their triumphs and failures, drawing us deeper into their world with every scene.
“Mon Potongo” boasts a compelling script that is both engaging and thought-provoking. The dialogues are poignant and evocative, capturing the nuances of human emotions with remarkable insight. As the protagonists wrestle with themes of love, grief, and yearning, the script invites introspection, prompting viewers to reflect on their own experiences and relationships.
In addition to its captivating narrative, the film is complemented by a mesmerizing soundtrack that enhances the emotional impact of each scene. The music serves as a powerful storytelling tool, evoking a range of emotions and enhancing the overall viewing experience. Contributions of Adeep Singh Mnaki (sound designer) and Anindit Roy (sound mixing) needs special mention here.
The film fosters an intense vulnerability, laying bare the deepest parts of the soul to both ecstasy and anguish. Yet, in its boundlessness, unrestrained love also holds the potential for profound growth and liberation, offering a glimpse of life lived in its purest, most unadulterated form.
Set against the vibrant backdrop of Kolkata’s City of Joy, the directors’ commitment to capturing the essence of urban Bengal is evident in every frame of the film. Through their collaborative efforts, they have crafted a compelling cinematic experience that is sure to captivate audiences and leave a lasting impression. The film is difficult to be characterised into a specific genre as the directors have incorporated unconventional narrative structures or thematic elements that challenge genre boundaries and blending multiple genres seamlessly.